💳 ( qual o melhor jogo para jogar no betano ) - 💳 A artista e autora Faith Ringgold, conhecida 💳 por seus tapetes narrativos que entrelaçavam arte com ativismo, morreu aos 93 anos. O falecimento de Ringgold, qual o melhor jogo para jogar no betano qual o melhor jogo para jogar no betano casa 💳 qual o melhor jogo para jogar no betano Nova Jersey no sábado, foi relatado primeiramente pelo New York Times.
💳 "Faith deixa um legado impactante de ativismo e advocacia 💳 pela diversidade e inclusão que marcou profundamente o mundo da arte, inspirando incontáveis outras pessoas a usarem qual o melhor jogo para jogar no betano voz como 💳 ferramenta de mudança social", disse Dorian Bergen, Presidente das ACA Galleries, que representavam Ringgold há quase três décadas, qual o melhor jogo para jogar no betano um 💳 comunicado fornecido à qual o melhor jogo para jogar no betano . "Sentiremos muito qual o melhor jogo para jogar no betano falta e continuaremos nos comprometendo a continuar essa legacy compartilhando seu 💳 trabalho, filosofias e vida com o mundo."
💳 Ringgold, nascida qual o melhor jogo para jogar no betano 1930 qual o melhor jogo para jogar no betano Harlem durante o Renascimento de Harlem, draws inspiration from 💳 the tumultuous social realities she lived through. As a student, her formal initiation in the arts was almost curtailed by 💳 the City College of New York's regulations of the time, which restricted women to specific majors - art not being 💳 one of them. However, Ringgold's determination led her to strike a deal with a school administrator: her art studies were 💳 contingent upon primarily enrolling in the school of education, where women were allowed. 💳
After earning her bachelor's degree in fine art 💳 and education in 1955, Ringgold began teaching art in public schools while developing her own art. She later received a 💳 master's degree in art from City College in 1959. Her early work was influenced by civil and racial unrest, and 💳 had powerful political and social tones.
Série "The American People"
💳 Entre 1963 e 1967, Ringgold portrayed fraught race relations in America in 💳 a series of paintings titled "The American People Series." The series' final painting, "American People Series 20: Die," is a 💳 vivid critique of the violent riots of the Civil Rights era. The painting, arguably the series' most famous, gruesomely depicts 💳 a group of men, women and children brutally attacking one another. It is now part of the Museum of Modern 💳 Art's permanent collection.
💳 "I became fascinated with the ability of art to document the time, place, and cultural identity of the 💳 artist," she told the Museum of Modern Art. "How could I, as an African American woman artist, document what was 💳 happening around me?"
💳 Ringgold's early work did not enjoy much success at the time, driving the mother of two to take 💳 her activism to the streets for causes such as women's representation - especially of Black women - in mainstream art 💳 exhibitions and collections. In 1970, Ringgold was arrested and charged with desecrating the American flag for co-organizing the "People's Flag 💳 Show," an exhibition protesting against the Vietnam War, and for artists' First Amendment right to use the flag as material. 💳
"They 💳 didn't keep me in for long because the media was watching," she told the New York Times of her sentencing. 💳
Quilts de Ringgold
💳 Around the same time, Ringgold began incorporating new materials into her art. She experimented with sculpting in wood and 💳 clay, but the dust triggered her asthma eased her to shift ...